So, this blog hasn’t quite been receiving the amount of attention it deserves, for I have been busy. So sorry to the couple of you who actually visit it on a semi-regular basis; however, pick up the pace! Honestly, how am I supposed to run a popular expository when there are only two of you. You come, you see, you go maybe once a day. That’s all fine and dandy, if not 49 daily visits short. I’m trying to create the illusion of grandeur, and you guys are sorely letting me down. So tape down those F5 keys if you must, but seriously, get your shit together.
So what have I been up too? Well, a certain someone’s debt has gone up $20.
In seriousness, I’ve been busy with film related pursuits. If you noticed, there is now an Awards/Acknowledgements tab above of which I have put my first and most recent acknowledgement of excellence on display, so there has been that. You can see the film here, and hopefully I’ll get the Film section on this site up and running soon. However, despite my success, it appears Jacob is a very dull boy. So, I did what anyone without talent does. Buy expensive shit to give myself an edge.
A Canon EOS 7D recently fell into my possession, subsequently granting me a one year cult membership absolutely free of charge. What cult you ask? I’ll just say DSLR Filmmaking. Google it, you lazy ass.
So why would I invest in such a progressive move? Sparkling flowers. That and the extreme ease of capturing shallow depth of fields, widening the range of my creative potential. It is also very small and light in comparison to my previous camera, the Panasonic DVX-100a, which will serve me very well in the coming week, during which I’ll be on a educational field trip in Washington, DC. I am expected to document the event, and since I’m going as a one man crew, I needed a one man camera. My 7D is roughly tantamount Indiana Jones’ whip. My fedora?-the one thing I can never leave behind? My good looks.
So what’s it like filming with such an HD beast? Well, I decided to find out by filming beasts. Horses to be exact. Andrew Jackson would be proud. There is a horse ranch lies across the way from my house, and I’ve never paid it much attention, however, this past Sunday, they were hosting an event and I thought it would be the perfect time to put my new toy through some paces. It’s a good thing I did, because my future difficulties became immediately apparent.
First and foremost is exposure. The 7D performs incredibly in low light, but such an advantage is a double bladed sword. It is way too exposed in sunlight, and since I was filming at noon on a cloudless day, that became a real issue. DSLRs allow 3 options to control exposure: ISO, shutter speed, and aperture. However, when filming, you are forced to use certain shutter speeds depending on your frame rate. It doesn’t literally prevent you from using these other shutter speeds, but if you shoot 24fps and aren’t using a shutter speed of 1/50 second, it’s going to look like choppy shit. So cranking that up to 1/250 was out of the question. The highest I could go was 1/125 while shooting 60fps, which was fine for the moments I filmed the actual horses in action. I could then take that footage, put in a project set to 24fps, and slow the clips down to 40% of their original speed, without creating any extra frames. The end result are beautifully smooth movements of horses in full gallop. Bestiality never seemed so tempting.
Anyway, that left me with two options: ISO and aperture. So I set ISO as low as it would go, which is 100, and even then I was several stops too overexposed. Also, it is worth noting that an overexposed image is a lot worse than an underexposed once. You can’t recover detail lost in highlights, but you can in ‘cold’ areas. Now, aperture not only controls exposure, but your depth of field as well. The wider the aperture (the lower the number), the more diffused light the lens lets in, which is great for creating a shallow depth of field, the reason I got this camera. However, I could not set my aperture in the 3.5-8.0 range I was hoping for, instead I kept it between 18-22. Yes, that is a dramatic difference in focusing abilities. So, I was forced to keep my 28-135mm lens fully zoomed just to knock the background out of focus. Definitely not ideal.
So, is this a con to the camera? Actually, no. My troubles were mostly a lack of preparation on my part. Buy simply applying an ND filter, I could have fixed my exposure problem. Again, Google it you idiot. Will I acquire on of these before DC? I would hope, but I’m counting on clouds to save my ass in that department. I couldn’t get a client project done in time for this trip, otherwise I would have some more spending cash and I would invest in an ND filter, but since I’m filming a documentary, sound is a pressing issue. The 7D has a built in mic, but aside from it being utter crap and lacking the ability to change/monitor audio levels, it is placed on the front of the camera, right next to the lens. Why is this bad? Because that means it is right next to the lens’ Image Stabilizer motor, a necessity (for handheld especially), so your audio is plagued by a subtle grind. Can I make it work? Sure, but it would be best to get an exterior recording device and use on of the nice condenser mics I have access too, but I am going solo, so that won’t work either. Instead, I have my eyes set on the Rode VideoMic. It’s cheap, but effective.
Another thing, the LCD. It’s a beautiful little LCD, but it is the only way to preview a shot, and it is much smaller than a fully blown up 1080p display. What looks like a perfect focus on it actually isn’t, and being new to this aspect of filmography, focus isn’t quite intuitive yet. So I pick my subject, zoom in 10x on the screen, and at that size I can properly focus my image. It’s a very involved process, and by no means fast. Now imagine doing that when the only display on the LCD is your reflection. Outdoors, it is dreadful. You are about as visually impared as Stevie Wonder at that point. So you move your focus ring, then use the same hand as a screen hood in an attempt to cut back on the reflection, and then proceed to adjust the focus again in a method math students prefer to refer to as “plug n’ chug”.
The final problem I encountered at the horse ranch was the difficulty to go handheld. It’s hard with any camera, if anything the 7D is easier than most, but when I am trying to balance a manual focus at the same time, I get issues. Also, when zoomed in at a 135mm focal length, every jerk and sway is enunciated. I brought a tripod to the event, but for the most part, I avoided using it for two reasons. I’m lazy, and taking that much more time to set up a shot wasn’t too appealing. Also, in DC, I can’t be bogged down with gear. This is an educational/fun trip that I paid a lot of money to go on, so even though I am doing this documentary (which I want to do), I can’t get in people’s way and hold the group up. I need to be fast and compact, so I decided that it was best that I tackle the handheld challenges in an environment I could screw up without any repercussions. I am looking at modifying a mono pod into a “body pod,” where I put the balance on my shoulders via strap as opposed to the ground, and when fully folded up, will be roughly 12 inches in size. It’s not the best, but it will have to do. Besides, as appealing as Zacuto’s products are, they are too damn expensive.
All things considered, I think the shoot went great. It was my first time going out with the camera, and it was a good opportunity to work out a few of the kinks in DSLR film making. Despite being overexposed and blind, I think the footage came out pretty good, and I’m in the process of editing it at the moment. Oh yes, that’s the other thing. As lovely as HD is, it’s a pain in the fucking ass to edit. Even with my quad core processor and 6gb of RAM, my editing program can hardly play back the footage, is extremely slow, and occasionally freezes up. Admittedly, this is also in part due to the fact that I am working with H246 encoded MOV files in a program that doesn’t really like working with those boys, but I lack proper HD codecs to convert my files into, otherwise it probably wouldn’t be much of an issue. So I probably won’t finish the cut before I depart for DC, but I have done a substantial amount. Below are some screen grabs, graded/ungraded. Check them out and let me know what you think! I’m fucking serious you two, it’s time you stop fiddling around like toddlers and start carrying this site’s views on your backs like work horses.








That is possibly my favorite thing about working with HD. Even the slightest of grading adjustments yield dramatic results. Even with an inadequate grading program, I am much more able to replicate my vision. As you can tell, even though I fought against exposure, the depth of field is still there (though sadly not as dramatic, it’s more of a solid matte blur with such a narrow aperture) and the detail remained intact. I think for my next test, I am going to shoot some footage at night at an outdoor shopping mall. Over exposure to under exposure, I like it.